ON VIEW: Live Portraits

SUE HEALEY
PRESENTED BY PERFORMANCE SPACE
17-25 JULY 2015, 7:30PM

CELEBRATING THE BODY THROUGH A BREATHTAKING UNION OF DANCE AND FILM

ARE YOU FEELING THE CALL OF THE DANCE?

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Sue Healey and Judd Overton are a match made in dance film heaven. Combining Healey’s choreographic choices with Overton’s stunning photography and five unique dancers, ON VIEW […] is a remarkable experience. – SMH

17 – 25 JULY 2015, 7:30PM
CARRIAGEWORKS 

The premiere of Sue Healey’s extraordinary ON VIEW: Live Portraits paints a series of live portraits of five Australian dance artists: Martin del Amo, Shona Erskine, Benjamin Hancock, Raghav Handa, and Nalina Wait, as well as video portraits of the legendary Dame Lucette Aldous and Professor Shirley McKechnie AO, icons of Australian dance, as part of a complimentary exhibition throughout the season.

Featuring both filmed and live choreography, ON VIEW: Live Portraits highlights the artists’ unique skills in shaping and transforming identity through meticulous attention to movement across mediums and generations of dance artists. A provocative dialogue between live performers and their cinematic selves, Healey’s work celebrates diverse ways of thinking through the body.

Post Show Q&A
23 July 2015, 8:30PM

Schools Matinees
21 – 22 July 2015, 11AM

Saturday Matinee
25 July 2015, 2PM

 


 

VIDEO INSTALLATION
Additional portraits of Dame Lucette Aldous and Professor Shirley McKechnie, icons of Australian Dance, will be open daily as per times listed below.
This daytime installation accompanies ON VIEW: Live Portraits.

18 – 19 July, 10AM – 4PM
23 – 24 July, 10AM – 4PM
25 July, 10AM – 12PM

 


 

 

Check out this interview with Sue Healey for further information about the work and her process.

CREATIVE TEAM

Film: Sue Healey
Choreographer: Sue Healey, in collaboration with the performers
Performers: Martin del Amo, Shona Erskine, Benjamin Hancock, Raghav Handa, Nalina Wait
Director of Photography: Judd Overton
Music: Darrin Verhagen, Justin Ashworth
Lighting Designer: Karen Norris

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